This record has all of the facets of modern overproduced pop, but with certain softer characteristics that make it challenging for many speakers to deliver adequately. Switching genre’s and formats, I decided to play Adele’s “21” via a high bitrate (though still lossy) MP3 format from my NAD T512 player. And did so at a wider range of volumes than the DCM do. As compared to my DCM TW1A’s, these speakers were brighter and a bit more forward, pleasantly so. Although they liked being stretched by my BX3 amp in bridged (BTL) mode, rated at 300 w RMS (600W program) per channel, they also delivered the goods at more moderate listening levels. These speakers certainly have a mellow sound, but not a muted one. Instrumentation was easily identifiable, and midrange responsiveness was very pleasing. The overall appearance of the speakers is, as mentioned, impressive, and definitely gives the impression of quality.Īfter warming these up with Bruckner’s Symphony No 4 on an unmolested DMM pressing from 1986, I was very pleased with the presentation of the program.
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